![]() ![]() There's also the possibility that the death could be in relation to another character. If that were the case then Time To Die would make more sense, but that might be a touch too literal for the brainstorming suits at Sony. Given that it looks very likely this is Daniel Craig's last outing as the besuited assassin, there's a good chance the title alludes to the fact we may see his on-screen death. "So here I am, their invisible God, sneaking under their skin.So not A Reason To Die, or Shatterhand, or any of the other titles that have been bandied about over the past few months, but a more dramatic and mysterious moniker which has left everyone asking: what does it mean? "People want oblivion and a few of us are born to build it for them," he says towards the film's final act, fully revealing his intentions for both Bond and the world to see. Slowly but surely, Safin's mask is peeled away. But like the Noh mask, we are afforded these views when a new light shines in. These multiple sides are only rarely visible to the audience. Several times, Lalarb describes Malek's character as an "architect of the world", someone who is "so self-assured, and always thinking and creating." He is angry and disillusioned, yet fervent and impassioned, calm and short-tempered an aesthete and a destroyer all at once. The mask also alludes to the emotional tensions within. That makes the mask all the more significant. According to the World Health Organisation, exposure to high levels of dioxin "may result in skin lesions, such as chloracne and patchy darkening of the skin, and altered liver function." Though the Bond canon has come under fair and sustained criticism for its demonisation of people with disfigurements, Safin's appearance is, at least, medically accurate. And it seems the SFX team did their research. As the sole survivor of a mass dioxin poisoning that sees his entire family murdered, Safin's skin is disfigured a greyscale map of broken veins and seared bones. It is also worn for practical reasons in relation to the story. Indeed, Safin only appears in a handful of scenes, but his introduction while wearing the mask sets the temperature of who this villain is. It was aggressive, then serene, then terrifying, then caring, and that's something that really spoke to. "But when it was lit from different angles, the expressionless face changed so much with each shot. ![]() First off, it was a very pure and platonic form," she says. "I came across a photo series of a Noh mask that had been lit from behind. Lalarb only became aware of its shapeshifting potential when in the R&D phase. "And we knew we needed to look at different influences as Cary, our director, gave me a few different adjectives: aggressive, but hidden serene, but hidden so many things, but hidden."Īgain, the traditional Noh mask seemed to do all of these things, and yet none of them. "We knew we wanted to mask his identity for a certain part of the film, and we were looking at different influences," Larlarb says over Zoom. When No Time To Die's costume designer Suttirat Anne Larlarb sat down with Esquire, it became clear that the Noh mask was an intentional tool to maximise on this fear of the unknown – and to help paint a clearer picture of Safin while obscuring him further. In almost every scene (masked or otherwise), his motives are unclear, his emotions well hidden. ![]() Unnervingly played by Rami Malek, Daniel Craig's final nemesis is perhaps the Bondverse's most evil – and its most enigmatic. Therein lies the main thrust of Lyutsifer Safin: the unknown, unhinged villain of No Time To Die, and the man behind the mask. "Humans try to hide their emotions, but masks don't tell you anything." " is the face of an actor and can never be parted from it," Japanese photographer Toshiro Morita told CNN in 2018. She is then riddled with bullets.Īs Swann tries to escape, she peers into the same camouflage: a terrifyingly serene Noh mask that is borrowed from Kabuki theatre culture. So inebriated is she that the silent, masked figure leering over her is only spotted too late. Her mother, a drunk, is barely conscious on the sofa. Her father, not seen, is an assassin for the criminal organisation Spectre. There's going to be spoilers.Īt the beginning of No Time To Die, Léa Seydoux's Madeleine Swann is seen in her youth at her snowcapped, remote childhood home. If you want no surprises about No Time To Die, then this is your stop. ![]()
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